Dear Friends:As with other South America countries, a second wave of Covid19 has hit Ecuador, though nothing as serious as it’s neighbors, Colombia and Peru, covered by a NYT article here. Still, after the horrific initial outbreak while we were here last March, Ecuador has been cautious. With the recent surge, the government declared a four-week, “general quarantine” on weekends (8:00 PM Friday to 5:00 AM Monday) in sixteen of the country’s twenty-four provinces. It’s being strictly enforced, according to the news, with 516 arrests for curfew violations the first weekend, and more than a thousand fines to drivers on the streets without legitimate reasons. Nine brothels were also closed around Guayaquil, with the best quote of the week from the National Emergency Operations Committee. “Fornication or other sexual acts among strangers are not allowed during the emergency.” Cañar was not included in the quarantine, so life goes on pretty much as usual here. We’ve just been to the local Saturday market to find it packed with wholesale vendors and buyers, food stands, cars and trucks. Almost everyone wears masks, however, and I was glad to hear loudspeaker announcements in Quichua and Spanish on the importance of the vaccine, which has rolled out in Cañar these last few weeks with “tercer edades” (elders) and teachers. Countrywide, it’s been slow and chaotic, with only 4.3 of population so far vaccinated.“We had it under control in our communities,” a Cañari tayta, or elder, told me yesterday, “and now it’s back. But mostly in the town,” he added, naming several of his neighbors who were infected at their workplaces. Still, this past year in his large comuna only four people have died, and although infections were widespread he could only name one or two people who’d actually gone to hospital. He wore a mask as we talked, but said he would not be getting the vaccine – something I’m hearing from almost everyone who lives in the country. As I wonder about it, a clearer (but speculative) picture begins to form: while those who’ve had mild cases feel they’ve “been there” and don’t need further protection, the rest feel that if they’ve avoided the virus so far, why risk the vaccine with its reported side effects. Also, many folks here use preventative home remedies as protection against the virus. The tayta described the concoction he drinks three times a day: a tea made up of three heads of garlic, three red onions, four limes with peel, five cypress buds, and a dash of honey. And people keep eucalyptus branches at doorways, windows and even in cars.
Some of you have asked about Michael’s cooking (and commented on his hands), so here’s an update on last week’s paella, made possible by the magnificent langostinos that sometimes show up in the Sunday market…
…and shared with out resident goddaughter, Paiwa.Otherwise Michael’s labors involve maintaining the endlessly needy woodpile, with delivery of wood followed by the sound of the chainsaw.
As for me, I have two projects in the works, one short-term, one long. The first is a brochure on Cañari music, part of the amazing outcome of ethnomusicologist Allison Adrian’s time in Cañar on a Fulbright grant here three years ago. Since then, she has been producing videos, translations and transcriptions of traditional Cañari music. The brochure, which I’m helping design and guiding to print during the next month, will give listeners a quick study in Cañari music, with photos, titles and lyrics, and a QR code to a Soundcloud site. And here is a link to her videos on YouTube – Watch and listen and learn!The long-term project is one close to my heart for many years: a book of archival images from the glass-plate and early celluloid negatives of Rigoberto Navas, traditional Cañar town photographer. I began about six years ago when his family gave me access to a closet in his last studio, stuffed with boxes of negatives, camera equipment, and odds and ends of his long life (1911-2001). In the beginning I was only looking for images with indigenous content, but I quickly realized that here was a beautiful visual history of a small market town in the first half of 20th century. Six years on, although local and even national institutions are firmly behind the project, the pandemic means zero budget for cultural projects. So I will soon be off on a private fundraising effort that will take me into next year and the six months we plan to spend here.
Photo by Rigoberto Navas
Another big transition in a photographer’s life: a week or so ago I sold my Cañar darkroom equipment and supplies, including some seriously outdated film and chemicals. A photographer and collector from Cuenca, an acquaintance of many years, came and hauled it all away in the back of his SUV.
The day before, as Michael and dismantled the large Beseler enlarger, we laughed remembering traveling to Ecuador with it as baggage about 12 years ago, when it looked for all the world like a strange rocket. Ecuadorian customs agents, more accustomed to plasma TVs, microwaves and computers, took one quizzical look and let us through. It has served me well all these years, as I loved darkroom work, but like many others these day, I no longer use film, and barely a 35mm camera. We did the same routine in Portland a few months ago – dismantled the darkroom and placed equipment and camera gear on consignment with Blue Moon Camera.I was surprised and how quickly it all sold.
Cañar Book Club
OK dear readers, settle into your favorite wing chair with a good light. I put out a call for fiction and had some great responses from our esteemed and fabulous club members.
From Joanne in Portland: What’s Left of Me is Yours, Stephanie Scott. “Wonderful novel based on a true story of a murder by a wakaresaseya (breaker-upper) in Japan. Innovative, engaging, lots of cultural details about Japan.”
The Door, Magda Szabo. “Fabulous Hungarian novel about a writer who hires a housekeeper who takes over her life and forms a deep bond with her.”
From Maya in Portlnad: Tyll by Daniel Kehlmann. “Apparently a medieval German legend originally, Kehlmann has transposed the story of Till Ulenspiegel, a trickster and performer, into a rollicking story set in the 17th century about a juggler/ tightrope walker/performer who travels through Germany’s war-stricken countryside. It manages to be funny, imaginative, and unlike anything else. Very enjoyable.”
Sworn Virgin, by Elvira Dones. “The only Albanian novel I’ve ever read!. There’s historically been a custom in Albania that a woman can chose to live as a man, with all the perks that come with it, IF she swears to remain a virgin. This is a story of a contemporary woman in the mountainous and poor region of that country who makes this choice to be able to care for the old man who raised her- and years later is released to join a relative in the US: who will she be? man, or, after all these years, woman? And if the latter, how? Short, well written.”
From Rick in Portland: Rumors of Rain, André Brink: “A Novel of Corruption and Redemption set in South Africa – amidst the shocking violence that brings South African apartheid to an end.” (Judy’s note: I read
The White Tiger, Aravind Adiga: “Follows a darkly comic Bangalore driver through the poverty and corruption of modern India’s caste society.” (Judy’s note: we’ve just watched the film on Netflix. Entertaining but sad.)
Fracture, Andrés Neuman: “… an ambitious literary novel set against Japan’s 2011 nuclear accident in a cross-cultural story about how every society remembers and forgets its catastrophes.”
The Wondrous and Tragic Life of Ivan and Ivana, Maryse Condé: “Born in Guadeloupe, Ivan and Ivana are twins with a bond so strong they become afraid of their feelings for one another. When their mother sends them off to live with their father in Mali they begin to grow apart, until, as young adults in Paris, Ivana’s youthful altruism compels her to join the police academy, while Ivan, stunted by early experiences of rejection and exploitation, walks the path of radicalization.”
Days Without End, Sebastian Barry: “A true left field wonder: a violent, superbly lyrical western offering a sweeping vision of America in the making.”—Kazuo Ishiguro
A Thousand Moons, Sebastian Barry: “From the two-time Booker Prize finalist …comes a dazzling companion novel about memory and identity, set in Tennessee in the aftermath of the Civil War.”
History, Elsa Morante: “The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats the war as his playground. A German soldier on his way to North Africa rapes her, falls in love with her, and leaves her pregnant with a boy whose survival becomes Ida’s passion.”
From Arlene in Toronto: Nothing to See Here. “Kevin Wilson’s best book yet — a moving and uproarious novel about a woman who finds meaning in her life when she begins caring for two children with remarkable and disturbing abilities”
Fleishman is in Trouble by Taffy Broedesser-Akner, about a marriage on the rocks. “…a marvel, full of shrewd observations, barbed wit, and deep insight. …reveals the twisted hearts of her characters—and the twisted soul of contemporary America—with an eye that is at once pitiless and full of compassion for our human foibles.”
The Vanishing Half by Brit Bennett, “Two faces of the black experience A light-skinned twin sister constructs a new identity as a white woman in a clever novel that confounds expectations.”
That’s it for now. Please keep your reading suggestions coming, as I have a chronicle or two coming before we leave Cañar on June 6. (Note: I’m not sure my REPLY function is working, so write to me by e-mail: email@example.com)